some thoughts about meat orgies, the kickstarter economy, and where the hell we'll find an audience again.
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this is an exercise i invented for myself to process a bunch of work i was seeing while based in berlin a couple years back.
these aren’t reviews by any means.
they’re freewheeling reflections
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do we need a bout of stalinism to happen to us before we start to think that theatre could be important of impactful?
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